Jaipur: A 26-year-old woman was shot at by two youths in Rajasthan’s capital Jaipur on Wednesday morning. The woman was shot in the back and her condition is said to be critical. The incident took place in Murlipura police station area. It is being told that 26-year-old Anjali has been shot in the middle of the road by two bike-borne youths for marrying into another religion. After being shot, the girl fell unconscious on the road. He was immediately admitted to Kanvatia Hospital but was later referred to SMS Hospital. The woman is undergoing treatment at the trauma centre.
This is the whole matter
According to the information, the woman Anjali is a resident of the street near Pallavi Studio in Murlipura, Jaipur. At 10 am on Wednesday, she left home to go to work. Meanwhile, at a distance from the house, at around 10.30 am, he was attacked by two youths. Her husband Abdul said that she works at an Ayurvedic shop. They had a court marriage a year ago. His family was against it. In such a situation, his elder brother Abdul Latif and partner Riyaz Khan were harassing him. Abdul had also complained to the Sadar police station. But no action was taken, it is a result of that. Abdul says that if the policemen had put pressure on them, this incident would not have happened today. Abdul said Anjali feared murder since her marriage. For this, we had also demanded security in the court.
In this case, the police say that the accused will be caught soon.
Earthquake tremors were felt in Nashik, Maharashtra in the early hours of Wednesday. The earthquake measured 3.6 on the Richter scale. According to the National Centre for Seismology, an earthquake of magnitude 3.6 struck at around 04.4 am today, 89 km west of Nashik. The depth of the earthquake was 5 km below the ground. According to the information received so far, there is no report of any casualty due to the earthquake.
It is being told that most people were sleeping in their homes when the earthquake occurred. Being asleep, people did not realize it much. But in some areas, people definitely felt these tremors of the earthquake. If seen, the incidence of earthquakes has increased for some time. Hundreds of people also lost their lives due to the recent earthquake in Indonesia.
Earlier on Tuesday, an earthquake of 4.3 magnitude was also felt in Kargil, Ladakh. The earthquake occurred in Ladakh at 10.05 am. The epicentre of the quake was 191 km north of Kargil, the National Centre for Seismology said. However, there was no report of any casualty or damage to property due to this earthquake.
New Delhi: A constitution bench of the Supreme Court on Wednesday heard the demand to make the appointment of chief election commissioners and election commissioners more transparent. The petition had demanded that the task of selecting election commissioners should be entrusted to the Chief Justice of the Supreme Court, the Prime Minister and the Committee of the Leader of Opposition in the Lok Sabha.
During the hearing, the court said that the Chief Election Commissioner should be strong enough that if tomorrow the Prime Minister is also accused of any mistake, then he can fulfill his responsibility. To this, the government replied that the Union Cabinet should not be distrusted just on the basis of hypothetical situation. Even now, only qualified people are being selected.
The Supreme Court has said that the Constitution has given important powers on the shoulders of the Chief Election Commissioner and two Election Commissioners. Therefore, a fair and transparent process should be adopted at the time of their appointment, so that only the best person is appointed to this post. The court said that constitutional silence is being taken advantage of in this regard. Article 324(2) of the Constitution seeks to enact a law for the appointment of CEC and ECs.
This hearing has been filed by the Supreme Court on October 23, 2018 on the process of appointment of CEC and EC under the collegium system in the future. The petition alleged that the Centre unilaterally appoints members of the Election Commission. The petition was heard by a five-judge bench comprising Justices Ajay Rastogi, Aniruddha Bose, Hrishikesh Roy and CT Ravikumar.
India is a land of rich and diverse cultures, from Kashmir to Kanyakumari with each state offering its best creation. The vibrant block prints and Bandhani embroidery emerging from Rajasthan are well known to the world for its beauty and fineness.
Do Dhaage, is an ethnic clothing brand that is strongly rooted in the beautiful embroidery born in Rajasthan. Its founder Shivangi Moolchandani has worked relentlessly to give birth to and shape this brand into what it is today.
Having been brought up in Bikaner, a small city in Rajasthan, Shivangi was always fond of block prints. She grew up seeing her mother and aunts dressing up in Bandhani embroidered suits for all special occasions.
Shivangi completed her graduation in Fashion designing in the strangest of times, when the first wave of covid-19 had hit the world and everything came to a standstill.
The saying that every dark cloud has a silver lining could not have been truer for Shivangi as it was during this time that the seeds of Shivangi’s brand were sown. Living in a completely uncertain environment made her question her conventional choices and she considered cultivating her love for the rich prints of her home state by communicating it to the entire world through her brand of ethnic wear.
“I always thought of securing an internship or a corporate job for myself after completing my graduation. The deterioration of the service sector during the pandemic and the urge to follow my heart because life could be very uncertain acted as a catalyst in giving voice to my repressed passion.”
“Yes, starting your own brand at a time when one could expect lockdowns anytime was certainly a risky thing to do. But, I had already spent a lot of time thinking and worrying and I knew that if I was going to wait longer for the situation to get better, I would never be able to establish this brand.”
Soon after deciding to go ahead with her business, Shivangi moved from her hometown to Jaipur, the capital of Rajasthan to assess the market and get in touch with the local craftsmen. She began designing on a small scale and initially used her Instagram page to connect with potential buyers. As her venture grew, her brand Do Dhaage got enlisted on Amazon and Ajio.
Shivangi was later joined by her brother, Deepak Moolchandani and her sister in law, Meghna Chaudhary, with each of them working in their own areas of expertise. While Meghna handles e- commerce, Deepak works as the marketing department head.
The brand has not only given Shivangi a chance to follow her passion but has also brought out the best in her family members. Today, it has become a symbol of the collective effort of young individuals who are joined by their love for each other and their love for their passion. Together, they have now got their brand listed on Myntra, Nykaa and Ajio and are constantly striving to nurture it more. Renowned celebrities like Shweta Tiwari, Gauhar Khan, Aarti Chhabria, Krystel Dsouza, Kabita Singh from Kabita’s Kitchen, and Kanak Khaturia from Kanak’s kitchen have adorned their closets with outfits from Do Dhaage.
More customers are also visiting the Do Dhaage website for a better experience.
Do Dhaage in Hindi means two threads. It takes two threads to make a stitch and that is how a garment is produced. With each stitch, made with love, the Do Dhaage family brings to you the rich culture of Rajasthan through its ethnic wear.
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IT IS SET TO BE PREPONED COINCIDING SANKRANTI ON JANUARY 13 AS IT’S EMPTY TOO, GIVING THE MAKERS A SCOPE TO RELEASE ON THAT DAY OR THAT WEEK ONLY.
Helmed by Amit Sharma and produced by Boney Kapoor, Maidaan stars Ajay Devgn, Priyamani, Gajraj Rao, Rudranil Ghosh. The drama-sport film is based on the golden era of Indian football. AR Rahman and Amit Trivedi have worked on its music, with Zee studios as distributor. “Experience the true story of an unknown hero, Syed Abdul Rahim who brought glory to India. #Maidaan releasing on 17th February, 2023,” Ajay had tweeted. We bring you the exclusive bollywood news that it is set to be preponed coinciding Sankranti on January 13 as it’s empty too, giving the makers a scope to release on that day or that week only. Interestingly, Adipurush has been postponed from January 12 to June 16, 2023. It has been delayed multiple times as first it was scheduled to release in 2020, then June 2022, and February 17, 2023. Meanwhile, Ajay was last seen in Drishyam 2 starring Shriya Saran, Tabu, Ishita Dutta and Mrunal Jadhav. It marks his fourth outing as a director after U, Me aur Hum (2008), Shivaay (2016) and Runwav 34 which hit the big screen earlier this year.
Gunnar Vikene’s drama follows the lives of two best friends conscripted while at sea by the Allied Forces and their efforts after the war to readjust to civilian life.
Winston Churchill acknowledged that the 30,000 Norwegian merchant sailors signed up by their government to aid England and the Allies during World War II were instrumental in the victory against Hitler. But the story of these men and women, who never enlisted in the armed forces, remains a footnote, generally overshadowed by accounts of more traditional military heroes. Writer-director Gunnar Vikene pays stirring tribute to them in War Sailor (Krigsseileren), an impressively crafted chronicle of male friendship, courage and trauma that folds together intense action and intimate psychological observation with a moving portrait of the enduring after-effects on one family.
Norway’s Oscar submission in the best international feature race doesn’t have the Netflix visibility or classic source material of Germany’s war-themed entry, All Quiet on the Western Front. But this is an experience both visceral and emotional, distinguished by well-drawn characters and searing performances that keep a firm hold on the viewer’s attention for its hefty two-and-a-half-hour duration.
One of the chief strengths of Vikene’s meticulously researched script is that it gives equal attention to the civilians at sea in the firing line and the woman and children waiting at home for one of them in the coastal city of Bergen under German Occupation. That gives the film — the most expensive Norwegian production ever made — a novelistic sweep, particularly in the eventful postwar developments where complications of loyalty and familial responsibility take hold in a somber romantic triangle, along with the challenges and consequences of survival. The story spans from 1939-1972 and was inspired by real people. Lifelong friends Alfred (Kristoffer Joner) and Sigbjørn (Pål Sverre Hagen), fondly known to each other as Freddy and Wally, are dockworkers in Bergen. With paying jobs in the port drying up, they accept an offer to sail on a cargo vessel to New York, even though Alfred is reluctant to leave his pragmatic wife Cecilia (Ine Marie Wilmann) and their three children for 18 months. The recent sinking of a Norwegian ship off the Netherlands has their distressed daughter Maggie (Henrikke Lund-Olsen) convinced that Alfred will be killed. But Cecilia extracts a promise from Wally to make sure her husband gets home.
In a nail-biting sequence several months later, Alfred proves himself a man of principle and compassion by defying orders and rescuing crew that have gone overboard in the mid-Atlantic. But when the ship’s captain (Nils Ove Sørvik) reprimands him, he adds the sobering news that all merchant vessels have been commandeered by the Allied Forces, and the Germans have occupied Norway. The crew’s only choice is to stay on and serve in the war effort for the duration or jump ship and be branded as traitors, blacklisted by the shipping companies. In action marked by letters home that Alfred is unable to send due to the Occupation, the years pass with port stops in Liverpool, Malta and eventually, New York in 1944. He takes a protective fatherly interest in Aksel (Leon Tobias Slettbakk), a boy rescued at sea, not much older than his own eldest son, William (Armand Hannestad). A young woman on their crew, Hanna (Alexandra Gjerpen), shows she’s the equal of any man in terms of bravery. Hanna and Aksel are given the option to remain in New York when their ship is tagged for the notorious Murmansk Run, transporting war materials across the Atlantic in dangerous Arctic convoys that already had drawn the full weight of the German air force and navy. But both young crew members choose to stay on in solidarity with their fellow sailors, resulting in traumatic scenes at sea and a long, seemingly futile wait for rescue as casualties continue to mount. The toll of those losses becomes particularly corrosive for Freddy. Vikene and accomplished cinematographer Sturla Brandth Grøvlen (Another Round, The Innocents) shoot the action in the ocean rather than studio tanks, resulting in pulse-racing verisimilitude and claustrophobic panic. The potent visuals are matched by dense sound design, with Volker Bertelmann’s cello-based score full of haunting, atonal passages, echoing the crashing, groaning noise of metal hulls ripped apart by torpedoes. The director makes sharp use of documentary techniques, for instance when the names of those killed on a ship sunk by U-boats are heard over solemn shots of their faces. Elsewhere, history is woven more conventionally but no less effectively into the drama, notably with the tragic bombing of the Holen elementary school in Bergen by Allied Forces aiming for a German U-boat bunker in the port. Scenes of Cecilia frantically combing the rubble for her children are heartrending. The focus shifts gracefully throughout between sequences at sea and on the home front, with life there marked by constant fear of bombing raids. When Freddy and Wally are picked up on a raft near death and taken to a hospital in Halifax, that might seem to point toward an end to their ordeal, but grim news from Bergen puts a further strain on Freddy’s already shattered equilibrium. Hagen’s easygoing Sigbjørn brings spirited warmth to the drama but it’s the altruism and strength of Joner’s Alfred that is the heart of the film, even more so as those qualities are drained out of him by harrowing experience.
Wilmann has a number of quietly moving scenes as Cecilia, particularly as she navigates the difficult readjustment to life after war, and the three remarkable actresses who play Maggie at different ages — Lund-Olsen, Téa Grønner Joner and Siv Torin Knudsen Petersen — trace an affecting arc from the emotional volatility of childhood through the grounded calm and concern of adulthood. All three of Alfred and Cecilia’s children are superbly cast at various ages. As much as the brutality and physical suffering of war, the film is about the agonizing uncertainty of limited communication chains and imprecise information causing damage that can last for generations. War Sailor is above all a poignant salute to the Allied civilian sailors — not only Norwegians, but also Canadians, Americans and others — that served honorably but often were denied the same rights as enlisted military in the years after World War II, their lack of uniforms and medals unjustly diminishing their sacrifices. It’s a film of deep sadness that stays with you.
Letitia Wright, Angela Bassett, Lupita Nyong’o and Danai Gurira return to defend their grieving nation from a new threat in the hotly anticipated
Faced with the challenging prospect of following his $1.3 billion-grossing blockbuster without the charismatic lead actor who provided that first film’s noble heart, Ryan Coogler delivers an emotionally resonant tribute to Chadwick Boseman in the early scenes of Black Panther: Wakanda Forever that will leave no fan unmoved. Extending through the Marvel logo on the opening credits — redesigned to feature stirring images of the late actor — the entire intro invites audiences to share in the grief felt by the filmmakers and cast, as well as the characters they play, planting a vein of exquisite sorrow that ripples through this epic sequel.
The simple words on the end credits, “Dedicated to our friend Chadwick Boseman,” define the prevailing spirit of the movie, with its melancholy acknowledgement of loss and legacy. Which is not to say it’s short on excitement, action or even humor. Just thinking about Winston Duke’s swaggering Wakandan mountain warrior M’Baku chomping on a carrot while snarling “You bald-headed demon” at Danai Gurira’s Okoye, his rival general from the all-female Dora Milaje special forces unit, makes me laugh.
More than any other entry in the MCU canon, Black Panther became a genuine cultural phenomenon in terms of proud representation — a futuristic action-adventure that embraced history and tradition. It was an implicitly political depiction of a staunchly independent African nation resisting the grasp of colonizers hungry for its natural resources, a boldly imaginative response to generations of real-world trauma. Wrapping all that up in some cool superhero shit was a considerable achievement. Coogler and returning co-screenwriter Joe Robert Cole maintain and arguably even fortify that vein here. They introduce another ancient civilization of Indigenous people who have escaped a brutal history of enslavement and genocide, living in fantastical seclusion and ready to unleash all their considerable might against any global plunderer angling to tap their most precious natural resource. That, of course, is vibranium, the same meteorite-derived metal element from which Wakanda draws its power. Whether those hidden underwater-dwelling Mayan descendants, led by the formidable ruler of Talokan, Namor (Tenoch Huerta Mejia), become valuable allies or dangerous enemies to the Wakandans is the chief intrigue driving the plot of the sequel — and possibly future installments.
Coogler resists the tireless cross-pollination impulse of so many MCU movies by concluding with two clear separate indications of ongoing conflict, as well as a mid-credits sequence both moving and jaw-dropping, which induced gasps at the press screening I caught. Black Panther characters might continue to lend a hand in those other Marvel exploits populated by characters who talk like quippy teenagers, but every seed planted here is of a more somber saga predominantly contained within its own complex universe. If the storytelling occasionally gets messy with its endless location switches, the battles sometimes sacrifice visceral action for CG magnitude, and the running time (an expansive 2 hours 41 minutes) is definitely felt, particularly in the ambling midsection, this eagerly anticipated sequel is every bit as thrilling as it needs to be. The presence of two principal characters, Letitia Wright’s royal tech geek Shuri and her mother, Queen Ramonda (Angela Bassett), has been amped up in affecting ways to which both actors respond with bracing authority. That comes as a direct result of the death of King T’Challa and consequent…
James Cameron’s long-awaited sequel Avatar: The Way of Water has landed a coveted release at the China box office,Disney and 20th Century confirmed late Tuesday. The movie will open in the Middle Kingdom on Dec. 16, the same day it hits North American theaters. The Way of Water is one of the few Hollywood tentpoles to land a berth China since the pandemic began. Cameron’s sequel sails into theaters around the globe 13 than years after Avatar made history in becoming the top-grossing film of all time at the global box office, a crown it still wears today with more than $2.92 billion in ticket sales, not adjusted for inflation and including re-releases.
Avatar has been a big hit over the years in China, where it has earned a hefty $261.8 million to date (it has been released there several times). The Way of Water‘s footprint in China will include Imax theaters, a go-to exhibitor for Avatar fans. Sources say talks to book the movie in China have been in the works for weeks, but the official announcement came two days after the stunning disclosure that Bob Iger will return to run the Walt Disney Co. as CEO, resulting in the ouster of Bob Chapek. Disney inherited the Avatar franchise after Iger engineered a deal to acquire much of Rupert Murdoch’s 21st Century Fox, including the movie studio 20th Century Fox. The Way of Water‘s production budget is one of the priciest in Hollywood’s history, and is in the $350 million to $400 million range, according to sources.
THE CRAZE AND ENTHUSIASM OF SRK FANS HAS BEEN LOW.
Pathaan is set to release on January 25, 2023, which is full of drama and action which is directed by Siddharth Anand and produced by Aditya Chopra. It stars Shah Rukh Khan, Deepika Padukone in lead roles and will have John Abraham as antagonist. It showcases an undercover police official and drug lord. Vishal Dadlani and Shekhar Ravjiani have worked on its music. It will be released in Hindi, Tamil, Telugu.
The craze and enthusiasm of SRK fans has been low. Earlier instances include fans beginning a countdown and soon #100DaysToPathaan started trending on Twitter a month ago. A video went viral on social media where it was seen that a fan promoted Pathaan in a local cricket match allegedly held in Uttar Pradesh.
